Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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unknow artist
Dido draagot offerings on, illustration by Aeneis of Vergilius
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ID: 42572

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unknow artist Dido draagot offerings on, illustration by Aeneis of Vergilius


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unknow artist

  Related Paintings of unknow artist :. | One of Livingstones mainstay ogonblick in Afrika,var da he in November upptackte Victoria autumn in Zambesifloden | The rest on the flight into egypt | European city landscape, street landsacpe, construction, frontstore, building and architecture.078 | Classical hunting fox, Equestrian and Beautiful Horses, 142. | Laura Muntz Lyall |
Related Artists:
Dorofield Hardy
1882-1927
Vincenzo Cabianca
Italian , 1827-1902
Julius Paulsen
Danish, 1860-1940 Danish painter. He studied at the Kongelige Akademi for de Skenne Kunster, Copenhagen (1879-82), but found the training there uninspired and soon attached himself to more radical artists such as Peder Severin Kreyer and Laurits Regner Tuxen. A turning-point in his career came in 1885 when, with Viggo Johansen, he went to Paris. On the way they visited Amsterdam, where the art of Rembrandt made a great impact on Paulsen; in Paris he showed interest in Courbet and Monet. From 1886 his time was shared between landscape, figure and portrait painting. His first landscape, From the Village of Ry (1886; Copenhagen, Hirschsprungske Saml.), is an early example of his personal blend of Romanticism and Symbolism; it shows a golden sunset colouring the houses and gardens of the small village. His View from the Harbour after Sunset (1891; Copenhagen, Hirschsprungske Saml.) has much in common with Monet, the Copenhagen skyline barely discernible through a deep blue and iridescent atmosphere. A later visit to Paris inspired such sunlit townscapes as Under Pont des Arts in Paris, Midday Sun (1919; Copenhagen, Stat. Mus. Kst), the shimmering, sketchy surface of which is dominated by fresh blues and greens; the painting incorporates a favourite Impressionist motif, the curved filigree of the iron bridge, which both frames the scene and lends it tension.






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